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Culture

From NYT ARTS section

Kendrick Lamar’s Protégé Baby Keem Tells the Whole Story, Warts and All
arts

Kendrick Lamar’s Protégé Baby Keem Tells the Whole Story, Warts and All

The 25-year-old rapper and producer knows he’s benefited from his cousin’s support. But the path to his autobiographical album, “Casino,” was his alone.

By Ross Scarano and Clement Pascal
Luke Tennie Stirs the Pot
arts

Luke Tennie Stirs the Pot

After a breakout performance on “Shrinking,” the actor can now be seen on “Abbott Elementary” and “The Pitt.”

By Alexis Soloski and Victor Llorente
‘Greater New York’ Brings the Noisy, Messy Vitality of 53 Artists
arts

‘Greater New York’ Brings the Noisy, Messy Vitality of 53 Artists

The signature survey by MoMA PS 1 of artists living and working in the city highlights those whose talent is often hidden in plain sight.

By Max Lakin and Vincent Tullo
Review: ‘The Fear of 13’ Doesn’t Entirely Add Up
theater

Review: ‘The Fear of 13’ Doesn’t Entirely Add Up

Adrien Brody and Tessa Thompson make confident Broadway debuts, but the uneven script makes for a narratively slippery prison drama.

By Helen Shaw
Even Michael Jordan Will Sit Down to Talk About This Basketball Legend
arts

Even Michael Jordan Will Sit Down to Talk About This Basketball Legend

A new documentary by the “Black-ish” creator Kenya Barris looks at the legacy of Jerry West, a figure so crucial to the N.B.A.’s history that he’s the league’s logo.

By Jonathan Abrams
The Phillies Owner’s Other Superstars
arts

The Phillies Owner’s Other Superstars

Mets fans, avert your eyes: John Middleton, majority owner of the Phillies, and his wife have a deep bench of American art stars, and they’ve lent them in a dual display for the 250th.

By Patricia Leigh Brown and Michelle Gustafson
‘Mother Mary’ Review: Anne Hathaway Strikes a Pose
movies

‘Mother Mary’ Review: Anne Hathaway Strikes a Pose

The actress plays a pop star who reunites with Michaela Coel’s fashion designer. But the spectacle you see onscreen is far more engaging than the dialogue.

By Manohla Dargis
The Enduring Beauty of Black-and-White Games
arts

The Enduring Beauty of Black-and-White Games

Mouse: P.I. for Hire is the latest monochrome adventure in an industry often obsessed with realistic graphics.

By George Bass
Coming to Broadway: Molière, ‘The Full Monty’ and a Play About D.J.s
theater

Coming to Broadway: Molière, ‘The Full Monty’ and a Play About D.J.s

Roundabout Theater Company, one of the four nonprofits with Broadway houses, plans three Broadway shows next season.

By Michael Paulson
5 Takeaways From the Live Nation Antitrust Trial
arts

5 Takeaways From the Live Nation Antitrust Trial

A jury found that the concert giant operated as a monopoly, a verdict that could have major reverberations in the music industry.

By Ben Sisario
It’s (Always) the Season for Anime
arts

It’s (Always) the Season for Anime

There’s a new crop four times a year. This spring, the Ghibli-like “Witch Hat Atelier” and the alternate-future samurai saga “Nippon Sangoku” stand out.

By Mike Hale
A Sculptor’s Life, in Constant Motion
arts

A Sculptor’s Life, in Constant Motion

A career-spanning Alexander Calder exhibition in Paris turns the viewer into a collaborator and lifts the soul.

By Emily LaBarge and Dmitry Kostyukov
A Huge Statue of a Black Woman Opens a New Door to London’s V&A
arts

A Huge Statue of a Black Woman Opens a New Door to London’s V&A

Thomas J Price’s bronze figures present anonymous Black people at heroic scale. After an installation in Times Square sparked a furor, his latest work welcomes visitors to a new museum outpost.

By Eleanor Stanford
‘Lee Cronin’s The Mummy’ Review: Fresh From the Sarcophagus
movies

‘Lee Cronin’s The Mummy’ Review: Fresh From the Sarcophagus

The movie revives one of cinema’s unforgettable monsters with a macabre makeover, but it spins out in the attempt.

By Nicolas Rapold
What We Lose When Everything Is ‘-Coded’
magazine

What We Lose When Everything Is ‘-Coded’

On the social internet, our fascination with analyzing the hidden messages in our culture has been flattened into one word.

By Dan Brooks
‘One Flew Over the Cuckoo’s Nest’ Returns With Contemporary Bite
theater

‘One Flew Over the Cuckoo’s Nest’ Returns With Contemporary Bite

A new London production highlights the story’s racial element and shows how much has changed since the play’s 1963 premiere.

By Houman Barekat
36 Hours in Santa Cruz, Calif.
travel

36 Hours in Santa Cruz, Calif.

Find in microcosm so much that is great about California, including towering redwoods, surf culture and renowned wineries.

By David Farley and Ruth Fremson
‘Normal’ Review: This Town Is Anything But
movies

‘Normal’ Review: This Town Is Anything But

Bob Odenkirk plays a sheriff who uncovers a dangerous secret in this hyper-violent, small-town crime caper.

By Jeannette Catsoulis
‘Mad Bills to Pay’ Review: Growing Up Unexpectedly
movies

‘Mad Bills to Pay’ Review: Growing Up Unexpectedly

A girlfriend’s pregnancy upends the life of a young man in the Bronx in this first feature by Joel Alfonso Vargas that unspools with sedulous care.

By Natalia Winkelman
‘Erupcja’ Review: Dancing Through the Ash
movies

‘Erupcja’ Review: Dancing Through the Ash

Charli XCX stars in this drama about a young woman who can’t quite tell the difference between freedom and fleeing.

By Brandon Yu
‘Eagles of the Republic’ Review: How Authoritarians Clip Wings
movies

‘Eagles of the Republic’ Review: How Authoritarians Clip Wings

In the director Tarik Saleh’s latest feature on contemporary Egypt, a movie star is made to appear in a propaganda film.

By Ben Kenigsberg
‘Blue Heron’ Review: Rewinding Time to Find a Brother
movies

‘Blue Heron’ Review: Rewinding Time to Find a Brother

Sophy Romvari’s superb debut feature blends memory, documentary and fiction to process a family wound.

By Alissa Wilkinson
‘Amrum’ Review: A Moral Awakening
movies

‘Amrum’ Review: A Moral Awakening

In this World War II-era coming-of-age drama, a young boy living on a remote German island questions his parents for the first time.

By Beatrice Loayza
‘Balls Up’ Review: Offend It Like Beckham
movies

‘Balls Up’ Review: Offend It Like Beckham

Two condom salesmen, Mark Wahlberg and Paul Walter Hauser, embark on a bawdy, digressive picaresque in Peter Farrelly’s defiantly lowbrow film.

By Calum Marsh
Stephen Colbert Wants the Vice President to Lay Off the Pope
arts

Stephen Colbert Wants the Vice President to Lay Off the Pope

The “Late Show” host scolded JD Vance for suggesting that Pope Leo XIV “be careful when he talks about matters of theology.”

By Trish Bendix
Julio Torres in ‘Color Theories,’ and More Theater to Stream
theater

Julio Torres in ‘Color Theories,’ and More Theater to Stream

Other picks include the historical hip-hop musical “Mexodus,” an Anne Carson radio play and a century-old play about machines replacing humans.

By Rachel Sherman
Barbara Gordon, 90, Dies; Wrote a Best Seller About Her Pill Addiction
books

Barbara Gordon, 90, Dies; Wrote a Best Seller About Her Pill Addiction

Her 1979 memoir, “I’m Dancing as Fast as I Can,” which also became a movie, detailed years of prescription drug abuse and offered an indictment of American psychiatry.

By Trip Gabriel
The Good List: 7 Things to Add Some Delight to Your Day
briefing

The Good List: 7 Things to Add Some Delight to Your Day

Train jazz, the “Brady Bunch” house and the gift of time.

By Melissa Kirsch
Jury Finds Live Nation Acts as a Monopoly in a Victory for States
arts

Jury Finds Live Nation Acts as a Monopoly in a Victory for States

In a verdict that could have far-reaching consequences in the music industry, the live colossus that includes Ticketmaster was found to have violated antitrust laws.

By Ben Sisario
‘The Adding Machine’ Review: A Man Is Made Redundant
theater

‘The Adding Machine’ Review: A Man Is Made Redundant

Daphne Rubin-Vega stars as a laid-off office worker who spins into a murderous rage in this update of Elmer L. Rice’s 1923 classic.

By Laura Collins-Hughes
Review: Here’s Johnny! (And Bach and 4 Choreographers)
arts

Review: Here’s Johnny! (And Bach and 4 Choreographers)

The violinist Johnny Gandelsman wanted his music to move. In the overly winsome “Johnny Loves Johann,” he performs Bach’s cello suites alongside four dance artists.

By Gia Kourlas
How to Win a $1.2 Million Picasso Without Really Trying
arts

How to Win a $1.2 Million Picasso Without Really Trying

A Parisian software salesman entered a charity raffle and came away with a piece of history: “I have some paintings, but not like a Picasso.”

By Derrick Bryson Taylor
Putting Connecticut Artists in the Spotlight
arts

Putting Connecticut Artists in the Spotlight

The Aldrich Contemporary Art Museum in Ridgefield will showcase works by people who live and work in New York’s shadow.

By Annabel Keenan
In the Tech Heart of Texas, an Art Show Built on Data, Code and A.I.
arts

In the Tech Heart of Texas, an Art Show Built on Data, Code and A.I.

The showcase features works that change from hour to hour, invite interaction and interrogate the idea of creativity itself.

By Jillian Anthony
Honoring Frederic Church: Beyond the Hudson River School
arts

Honoring Frederic Church: Beyond the Hudson River School

His many achievements have been obscured, some believe, by his reputation as a provincial landscape painter.

By Hilarie M. Sheets
‘Giant’ and Roald Dahl’s Antisemitism: What’s Fact and Fiction?
theater

‘Giant’ and Roald Dahl’s Antisemitism: What’s Fact and Fiction?

Mark Rosenblatt’s Broadway play, starring John Lithgow as the British children’s book author, draws from Dahl’s comments over the years.

By Sarah Bahr
‘Rethinking, Reimagining and Reinstalling’ the Metropolitan Museum of Art
arts

‘Rethinking, Reimagining and Reinstalling’ the Metropolitan Museum of Art

A $1.5 billion project will transform the nation’s most-visited art museum, with renovations involving a quarter of the galleries and public spaces.

By John Hanc
What to See This Spring at Museums Across the Country
arts

What to See This Spring at Museums Across the Country

The season includes a Duchamp retrospective at MoMA, a window on Etruscan civilization at the de Young in San Francisco and a fashion celebration at the Phoenix Art Museum.

By Morgan Malget